Artist Statement

Art has always been my way of making sense of the beautiful mess that is human nature. When I think about the murky reservoir of human history, it’s nearly impossible to untangle legend from reality. Through my work, I examine the myths we create in the modern age—stories shaped by society’s underbelly and the flawed, fascinating characters who live there.

I’m drawn to the idea that who we are is a kaleidoscope of biased memories, shared experiences, and personal connections. My sculptures blend archetypes and personal mythology, telling stories that feel familiar yet strange, humorous yet tragic. Ceramic portraiture, in particular, satisfies my urge to document what I see in the world around me, a kind of visual storytelling that captures human quirks and contradictions.

The objects I create often feel like well-loved toys or relics from a forgotten era, inviting viewers to conjure their own narratives. There’s something captivating about the implied history in these pieces: the wear, the cracks, the imperfections. It’s not just about what’s shown; it’s about what’s left unsaid, what the viewer imagines for themselves.

My work is personal, sometimes narcissistic, and often leans into the darker side of life. But humor is my buffer. Dark, dry, or irreverent, it mystifies the tragic and keeps things from feeling too heavy. I want my sculptures to feel like a wink or an invitation to laugh, even as you reflect on the fragility and absurdity of it all.

Ultimately, I make art to tell stories. Whether inspired by the quirkiness of an old family heirloom, the oddness of religion, or the hazy line between fact and fable, my pieces are a celebration of human myth, memory, and the strange beauty of impermanence.